Sunday, May 8, 2011

What Motivates my Writing

First off, it's been a while since I've blogged. I've been collecting ideas to write about, and eventually I'd like to do a monthly blog. I certainly have a lot of things to talk about. It's just one of those habit things I need to get back into.

I'll work on it. I promise.

Today, though, I wanted to answer a question. On twitter, @cazanne34 asked me: how do you keep motivated with your writing?
I had to sit there and think about it for a moment, because I'd never really thought about it before. I mean, I know why I write, but not what keeps me at it. Though thinking back on it, perhaps the two are linked.

The answer I gave, limited to 140 characters, was: I love what writing, is what it boils down to. Whether I eventually get published or not, I'll always write for my own enjoyment.

This is the complete truth, and it really does tie in with why I write. I write because I love stories, and I love reading. I enjoy taking that niggling of an idea and fleshing out into a novel length plot with action and romance. I really love watching characters grow and change in my own head as they mature through the story.

It's no secret that my Ultimate Goal is to see a book published. Working towards that goal keeps me pushing myself to become a better writer, learn what I can about the industry, and reach out to other writers to share their pool of knowledge. But it doesn't keep me writing. I was writing avidly for several years before I really started trying to find out what it'd take to get published.

What it all boils down to is my love of the written word. I love it the way some people love skiing, or sky diving, or sailing. If I make it as a professional, that's all well and good, but I'd do it anyway. Keeping that in mind makes it easier to focus on the writing itself, rather than worrying about what I'll do if this book doesn't land me an agent, or a publishing deal. I already know. I'll write.

As for making my daily word count goals, I bribe myself. "If I get 2,000 words written today, I can have a ." Silly, but on days when I don't want to write, it helps me keep my ass in the chair and put words on the page.

So what keeps you motivated with your writing?

Wednesday, December 29, 2010

What the New Year will Bring

This happens every year. I blog a lot during the spring and summer months, then taper off come fall, and winter holiday is a dead zone. This year has been especially busy for me. And emotional. But changes are coming in 2011.

Come January, I'm going to be diving into the last (I've said it before so don't believe me) revisions of AD. The query letter is going to get written and critiqued, and come hell or high water, I'm querying this book. Hopefully sometime before the crazy winter season.

Having decided school is really not my slice of pie, I need to find a job. Doing what, I don't know. I have until roughly May-June to figure it out and start making money that I can use to pay bills. Student loans don't pay themselves off, after all.

I would promise blogs on a semi-regular basis, but I don't like making promises I can't, or don't intend, to keep. So, I'll just say I'll drop in from time to time. Probably rant and rave about the revising and querying process. Nothing new there. I probably won't be keeping up a to-read list. It's gotten pretty ridiculous and the upkeep of the list is annoying and time consuming. Instead, I'll probably just make a list of books I have read.

That's pretty much it. There's personal goals I'll be making for the new year, of course. Things like "live a healthier lifestyle," "get in better shape," "be more social," etc.

Don't know about you guys, but I'm looking forward to a new year, and all the wonderful craziness that it will undoubtably bring.

Saturday, November 20, 2010

To-Read List 2010 November Update

*creeps in* Hi everyone. It's November. Been writing a Nation Novel Writing Month novel. Making a list of interesting blog topics that I'll start on in the new year. Probably.

In the mean time, enjoy the growing list and the fact that I haven't done all that much reading this month. =)

The List (in no particular order)
Mistborn - Brandon Sanderson
The Well of Ascension - Brandon Sanderson
Hero of the Ages - Brandon Sanderson
Well of Eternity - Richard A. Knaak
Shakespeare's Landlord - Charlaine Harris
Shakespeare's Champion - Charlaine Harris
Shakespeare's Trollop - Charlaine Harris
From Dead to Worse - Charlaine Harris
Dead and Gone - Charlaine Harris
Dragonfly in Amber - Diana Gabaldon
Voyager - Diana Gabaldon
Magic in the Blood - Devon Monk
Magic in the Shadows - Devon Monk
Dragon Bones - Patricia Briggs
Dragon Blood - Patricia Briggs
Bone Crossed - Patricia Briggs
Silver Borne - Patricia Briggs
Small Gods - Terry Pratchett
Lords and Ladies - Terry Pratchett
Vampire Academy - Richelle Mead
Frostebite - Richelle Mead
Blood Promise - Richelle Mead
Shadow Kiss - Richelle Mead
City of Bones - Cassandra Clare
City of Ashses - Cassandra Clare
City of Glass - Cassandra Clare
Clockwork Angel - Cassandra Clare
The Historian - Elizabeth Kostova
Enders Game - Orson Scott Card (borrowed from brother, don't actually own)
American Gods - Neil Gaiman
Kushiel's Scion - Jacqueline Carey
Kushiel's Justice - Jacqueline Carey (Don't actually own this one. Don't know how that happened.)
Banewrecker - Jacqueline Carey
Gardens of the Moon - Steven Erikson
Glass Houses - Rachel Caine
The Dead Girls' Dance - Rachel Caine
Midnight Alley - Rachel Caine
Feast of Fools - Rachel Caine
Lord of Misrule - Rachel Caine
Carpe Corpus - Rachel Caine
Firestorm - Rachel Caine
Thin Air - Rachel Caine
A Game of Thrones - George R. R. Martin
The Gunslinger - Stephen King
Prince of Dogs - Kate Elliott
The Burning Stone - Kate Elliott
The Last Wish - Andrzej Sapkowski
Genesis of Shannara - Terry Brooks
Children of Chaos - Dave Duncan
In the Realm of the Wolf - David Gemmell
Hero in the Shadows - David Gemmel
The Becoming - Jeanne C. Stein
The Scent of Shadows - Vicki Pettersson
Dragonfly - Frederic S. Durbin
Personal Demon - Kelley Armstrong
No Humans Involved - Kelley Armstrong
Broken - Kelley Armstrong
The Summoning - Kelley Armstrong
The Awakening - Kelley Armstrong
His Majesty's Dragon - Naomi Novik
Thorne of Jade - Naomi Novik
Black Powder War - Naomi Novik
Empire of Ivory - Naomi Novik
Night World Vol. 3 - L.J. Smith
The Secret Circle - L.J. Smith
The Night of the Solstice - L.J. Smith
Heart of Valor
The Hunter - L.J. Smith
The Chase - L.J. Smith
The Kill - L.J. Smith
Changes - Jim Butcher
Beauty - Robin McKinley
Spindle's End - Robin McKinley
Tithe - Holly Black
Valiant - Holly Black
Ironside - Holly Black
White Cat - Holly Black
Vamped - Lucienne Diver
Speak of the Devil - Jenna Black
The Dust of 100 Dogs - A.S. King
Bullet - Laurell K. Hamilton
Graceling - Kristin Cashore
Black Magic Sanction - Kim Harrison
Something from the Nightside - Simon R. Green
A Devil in the Details - K.A. Stewart
Red Hot Fury - Kasey MacKenzie
The Switch - Lynsay Sands
Silver Phoenix - Cindy Pon
Lament - Maggie Stiefvater
Ballad - Maggie Stiefvater
Shiver - Maggie Stiefvater
Dark Angels - Karleen Koen
Through a Glass Darkly - Karleen Koen
Now Face to Face - Karleen Koen
Leviathan - Scott Westerfield
Soulless - Gail Carriger
Changeless - Gail Carriger
Blameless - Gail Carriger
Personal Demons - Stacia Kane
The Hunger Games - Suzanne Collins
Catching Fire - Suzanne Collins
Mockingjay - Suzanne Collins
Boneshaker - Cherie Priest
Golden Compass - Philip Pullman
Subtle Knife - Philip Pullman
Amber Spyglass - Philip Pullman
Midnight Daughter - Karen Chance
Mob Rules - Cameron Haley
Devil in a Red Kilt - Elizabeth Williams
City of Glass - Cassandra Clare
Clockwork Angel - Cassandra Clare
Rose Daughter - Robin McKinley
Side Jobs - Jim Butcher
Howl's Moving Castle - Diana Wynne Jones
Masques - Patricia Briggs
Fade Out - Rachel Caine
Kiss of Death - Rachel Caine
The Blade Itself - Joe Abercrombie
Before They Are Hanged - Joe Abercrombie
The Last Argument of Kings - Joe Abercrombie

Saturday, October 23, 2010

Don't Skimp the Revisions

Maybe eventually I'll have an idea for a blog post that doesn't deal with revising, but that's where I'm at. Still. Been there for a long time. It's the trick of making that first book really stand out, really shine. It's taken three versions to get there, but I'm nearly done.

That's not what I wanted to talk about though. I mean, it is. Sort of.

I remember very clearly the first time I finished writing a novel. I only vaguely remember the first time I tried to revise a novel. I don't think I got very far into the process before I tossed it to the side in lieu of a new, more interesting project. That's not to say I've never finished revising a book before. I have. Several times, actually.

I've learned a lot from all the revising I've done. Especially in this last year. I've seen some things recently that have made me appreciate all the work I've done.

Mostly, it's that revising isn't easy, and there are no short cuts. Not if you want your book to be the best it can. Between draft one and draft two, I cut 47,000 words. That's not including the 20k something I cut when I first started the first draft, and it doesn't include the 23k cut from the third draft, which I'm barely passed the half-way mark on working on.

I'm not saying you have to cut an entire novel's length of work out to make your book good. I have, because despite the massive amounts of writing I've done in the last four years, there's still a lot I have to learn about writing a good novel.

What I'm trying to prove is that I haven't taken any short cuts. I haven't said "Oh, well, this is good enough, I'll just leave it in." Nope. If it doesn't work pretty damn close to perfectly, out it goes. Of course, a little change made in the beginning can effect huge changes later in the manuscript.

So far, it's been my experience that there are not "little changes." They might start out as little, but revising has this domino effect. One change starts off a whole chain of other changes to be made, which can branch off into other changes. Part of the key to successful revising is reigning in that domino effect and working the changes without disrupting the whole damn story.

Which I've had a hard time learning, but I'm getting there.

Revising can be daunting (heaven knows how long I've put off working on this chapter because of the changes I have to make, and the changes the changes will make, and remember the dominos!), but it's worth it to take your time. Your book will be better for it.

Sunday, October 17, 2010

To-Read List 2010 October Update

Been awhile since my last blog post. School is an evil brain draining, time consuming monster of absolute evil.

Surprisingly, I have found time to read.

The List (in no particular order)
Mistborn - Brandon Sanderson
The Well of Ascension - Brandon Sanderson
Hero of the Ages - Brandon Sanderson
Well of Eternity - Richard A. Knaak
Shakespeare's Landlord - Charlaine Harris
Shakespeare's Champion - Charlaine Harris
Shakespeare's Trollop - Charlaine Harris
From Dead to Worse - Charlaine Harris
Dead and Gone - Charlaine Harris
Dragonfly in Amber - Diana Gabaldon
Voyager - Diana Gabaldon
Magic in the Blood - Devon Monk
Magic in the Shadows - Devon Monk
Dragon Bones - Patricia Briggs
Dragon Blood - Patricia Briggs
Bone Crossed - Patricia Briggs
Silver Borne - Patricia Briggs
Small Gods - Terry Pratchett
Lords and Ladies - Terry Pratchett
Vampire Academy - Richelle Mead
Frostebite - Richelle Mead
Blood Promise - Richelle Mead
Shadow Kiss - Richelle Mead
City of Bones - Cassandra Clare
City of Ashses - Cassandra Clare
City of Glass - Cassandra Clare
Clockwork Angel - Cassandra Clare
The Historian - Elizabeth Kostova
Enders Game - Orson Scott Card (borrowed from brother, don't actually own)
American Gods - Neil Gaiman
Kushiel's Scion - Jacqueline Carey
Kushiel's Justice - Jacqueline Carey (Don't actually own this one. Don't know how that happened.)
Banewrecker - Jacqueline Carey
Gardens of the Moon - Steven Erikson
Glass Houses - Rachel Caine
The Dead Girls' Dance - Rachel Caine
Midnight Alley - Rachel Caine
Feast of Fools - Rachel Caine
Lord of Misrule - Rachel Caine
Carpe Corpus - Rachel Caine
Firestorm - Rachel Caine
Thin Air - Rachel Caine
A Game of Thrones - George R. R. Martin
The Gunslinger - Stephen King
Prince of Dogs - Kate Elliott
The Burning Stone - Kate Elliott
The Last Wish - Andrzej Sapkowski
Genesis of Shannara - Terry Brooks
Children of Chaos - Dave Duncan
In the Realm of the Wolf - David Gemmell
Hero in the Shadows - David Gemmel
The Becoming - Jeanne C. Stein
The Scent of Shadows - Vicki Pettersson
Dragonfly - Frederic S. Durbin
Personal Demon - Kelley Armstrong
No Humans Involved - Kelley Armstrong
Broken - Kelley Armstrong
The Summoning - Kelley Armstrong
The Awakening - Kelley Armstrong
His Majesty's Dragon - Naomi Novik
Thorne of Jade - Naomi Novik
Black Powder War - Naomi Novik
Empire of Ivory - Naomi Novik
Night World Vol. 3 - L.J. Smith
The Secret Circle - L.J. Smith
The Night of the Solstice - L.J. Smith
Heart of Valor
The Hunter - L.J. Smith
The Chase - L.J. Smith
The Kill - L.J. Smith
Changes - Jim Butcher
Beauty - Robin McKinley
Spindle's End - Robin McKinley
Tithe - Holly Black
Valiant - Holly Black
Ironside - Holly Black
White Cat - Holly Black
Vamped - Lucienne Diver
Speak of the Devil - Jenna Black
The Dust of 100 Dogs - A.S. King
Bullet - Laurell K. Hamilton
Graceling - Kristin Cashore
Black Magic Sanction - Kim Harrison
Something from the Nightside - Simon R. Green
A Devil in the Details - K.A. Stewart
Red Hot Fury - Kasey MacKenzie
The Switch - Lynsay Sands
Silver Phoenix - Cindy Pon
Lament - Maggie Stiefvater
Ballad - Maggie Stiefvater
Shiver - Maggie Stiefvater
Dark Angels - Karleen Koen
Leviathan - Scott Westerfield
Soulless - Gail Carriger
Changeless - Gail Carriger
Blameless - Gail Carriger
Personal Demons - Stacia Kane
The Hunger Games - Suzanne Collins
Catching Fire - Suzanne Collins
Mockingjay - Suzanne Collins
Boneshaker - Cherie Priest
Golden Compass - Philip Pullman
Subtle Knife - Philip Pullman
Amber Spyglass - Philip Pullman
Midnight Daughter - Karen Chance
Mob Rules - Cameron Haley
Devil in a Red Kilt - Elizabeth Williams
City of Glass - Cassandra Clare
Clockwork Angel - Cassandra Clare
Rose Daughter - Robin McKinley
Side Jobs - Jim Butcher
Howl's Moving Castle - Diana Wynne Jones
Masques - Patricia Briggs
Fade Out - Rachel Caine
Kiss of Death - Rachel Caine

Saturday, September 18, 2010

Editing: Paper vs. Computer

Editing is an important part of the writing process. A huge, time consuming part. I might spend two or three months writing, but I've spent four months revising and editing so far, and I've still got at least a month left to go. Part of it is that you only write the story once. You edit it a lot more than once.

Or least I do.

The question of whether to edit on the computer or on paper is one I think about a lot. I'm an old hand at writing, but when it comes time to figure out how to go about things after the book is written, that I'm still working on learning. I've done two revisions of this book now, one on paper, one on computer. Here's what I noticed about each.

Computer: It's easier to cut and rearrange things. If there's restructuring that needs to be done, doing it on the computer is much faster (for me) than slogging through paper, flipping through makes making notes all over the place about what should go where when it comes time to put everything back in the computer.

Paper: Grammar and punctuation errors are easier to spot. I've no idea why, but this is the case for me. I might catch some things on the computer, but I always see more on paper.

Computer: Outlining. Not something I do pre-writing, but after I have a first draft, it's good to have a road map to scribble notes and plans on. Scrivener makes outlining really super easy, and it takes 10 seconds to write a short little synopsis for each chapter after I finish writing it. There's currently no easy way to print out the short synopsis, but that's all right. Cut and paste into a word document works well enough.

Paper: Reading like a reader. There's just something about having a paper copy that puts my mind in a different state from when I'm working on the computer. Sentence structure, flow. A lot of little things that make a big difference are just easier to spot with a hard copy. It comes from years and years of reading hundreds of books. Reading is different than writing, and that hard copy flicks a switch in the brain so that I see the words on the page differently.

(Weird, I know. I'm just telling it like I see it. It might not be true for everyone.)

In the end, I end up doing revisions and editing on both the computer and on paper.

What do you prefer to use when you're editing and/or revising? Paper, computer, or a combination of both?

Saturday, August 21, 2010

Troubles with a Change of Cast

I've been working with Jacky, trying to get her first book the best it possibly can be, for six years. That's a long time, if you think about it. In that time, I've written seven other books. (All complete trash. I'm a slow learner.) Only three of those books were not Jacky related.

It's not that I intentionally made Jacky the only character making a major play for publication. Every time I try to work on something new, I'd get another idea to make AD better. Or for the next book, or a short story.

After finishing the second draft of AD (version 3), I made a very firm decision to take a break from Jacky. I need something new to clear my head. Hopefully when I return for round three of edits, I'll be going over it with a clear mind. It needs some work, I already have ideas on the things that need a bit of tweaking, but it's solid. No more rewrites, damnit.

To keep my mind off Jacky, I picked up a WIP I started a year or so ago, but never took anywhere because all I had was a title, some characters, and a bit of world building to go off of. I've been having struggles with it. The plot is coming together (more or less), but the character voices aren't the strong things that the cast of AD have. Add mystery (something I've never written before) and the weak character voices makes writing this book a damn challenge.

But challenge is good. Doing something so different is good. For one, I'm learning how to write a different kind of story. (Though, honestly, it freaks me out that FBL doesn't have much action in it. It's more character/mystery driven than AD.) For another, writing new things broadens the horizons, makes you look at things in a different light. Learning to come at a story from a different angle will be great for when I edit AD, because I'll probably (hopefully) see things in a different light, and be able to work a little more suspense and thrill into it all.

That being said, I need to get cracking on FBL, because I want to have the first draft finished before I start round three editing on AD.